When people ask me why a clear photo of another shooter in Dealey Plaza has never been found, I tell them it’s because all photos and films were confiscated by “authorities” shortly after the shooting. Some of these photos and films were never returned to the rightful owners. Other images were edited or cropped to delete conspiratorial content. Some were misinterpreted. Some pictures were just reported lost; some cameras were even stolen.
Gordon Arnold took a home movie of the assassination while standing almost directly in the line of fire by the picket fence on the grassy knoll. He hit the deck and covered up when the shots whizzed right over his head. Quickly two “cops” emerged from behind the fence and demanded, at gunpoint, that Arnold turn over his camera. One of the cops was carrying a rifle and the other was sobbing uncontrollably.
Phil Willis, standing on the south side of Elm Street with his family, swears he took a picture of Jack Ruby walking in front of the Texas Book Depository right after the shooting. Ruby said he was not in the plaza at the time of the shooting, and proof of his presence there would have sent conspiratorial shockwaves through the investigation. When Willis got his photo back, he saw that it had been cropped right through the image he claimed was Jack Ruby.
Canadian journalist Norman Similas was in Dealey Plaza at the time of the shooting, and he took photographs of the open sixth-floor window of the Book Depository, the exact location of Oswald’s sniper’s nest. When his film was later developed it showed two men in the window, which would indicate Oswald had conspirators. When he submitted the photo to his newspaper in Toronto, the negative went missing. He has never seen it again.
Orville Nix took an amateur film of the assassination with a good view of the grassy knoll in the background, and what appears to be a gunman behind the fence. According to Crossfire, by Jim Marrs, “…Itek Corporation, which handles government contracts and is closely tied to the CIA, studied the film…and concluded that the gunman figure was actually shadows…[however] when Nix panned back over the area the ‘shadow figure’ is no longer visible.”
Beverly Oliver, another amateur filming from the south side of Elm, said that she was approached by government agents—either FBI or Secret Service—just days after the assassination. They said they were aware of her film and wanted to develop it for evidence. The agents confiscated the film, and Oliver never saw it again.
Mary Moorman took one of the most famous photos of the assassination. It was a picture of JFK just as the bullet which killed him struck his head. Moorman’s photo has obviously been cropped. How do I know? Look closely sometime. There is no one driving the car. Limo driver William Greer, who some say pulled a gun and pointed it at JFK, has been cut out of the picture.
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